Music and Writing

If you follow my interviews and guest posts, you’ll know I listen to music while I write. Not so much for editing, as my brain works overtime during the clean-up process, but for the creative side of writing a novel, my mind needs to be free.

Music does that for me.

But should rock bands be named in our books?

Part of me says yes! Adding popular artists or songs we’re listening to while writing makes our work current, trendy, fun, and that’s exactly why we shouldn’t do it.

Instead of creating a timeless piece of fiction, we date it. Our work will only remain current for as long as the product we’ve placed in our novel remains popular.

Bon Jovi earned a place in Wilde’s Fire, but the more I read that section of the novel, the more I labored over what emotion that song might elicit in my readers, the more I decided leaving in You Give Love a Bad Name wasn’t worth it.

I shed a few tears when I cut out that particular line, but I overcame my grief through counseling, anti-depressants, and will power.

Just kidding.

Speaking of counseling, I believe Kate and Arland are calling. Life’s pretty crazy for them right now; they need some major therapy.

Happy Reading!

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Have you heard the good news? Not only can you grab a copy of Wilde’s Fire on Noble Young Adult’s site, but now you can purchase a copy on Amazon, B&N, and Bookstrand! For those of you who like options, now you have them!


New Release: Reluctance

Reluctance by Cindy C. Bennett the first in the Young Immortals series.

Blurb:

Twenty-year-old Dahlia hates the life that she is forced to lead. But the time is quickly coming when she must make a decision that will shape the rest of her life. She’s set her sights on Jace. He is someone her family will approve of, someone that will finally gain her acceptance among her people. Then Cam comes into her life, making her question what she assumed was her inevitable destiny, giving her hope that she might be able to lead the normal existence that she longs for. But fate has its own plan for Dahlia. Now she has to find courage she didn’t know she possessed to fight for her own future.

Excerpt:

Cam Taylor watched, amused, as Dahlia stumbled and nearly launched her lunch tray into a table full of brainiacs. She was new—she had only been working at Grave’s Community Center Hospital for a couple weeks. Cam had noticed her right away. She had a headful of curly, brown hair that fell to her waist in the back, pinned up on top with an unfashionable barrette. The barrette was studded with sparkling rhinestones, excepting the large center stone, which was missing. She wore no makeup; her pale face was clear and blemish-free. An unfortunate, brown floral pattern as outdated as a rotary-dial phone covered her lumpy, brocade dress which was at least two sizes too big for her. She was tall, gangly, awkward—the biggest klutz Cam could remember seeing—and he was smitten.

He watched as Dahlia finally slid to safety on a bench, once again nearly dropping her lunch as it clunked to the table. She laughed at herself, but the other women at the table, mostly nursing assistants, met her laughter with sneers. They exchanged meaningful glances, then stood as one, leaving without speaking a single word. Cam felt a moment’s anger at the unfeeling women as he saw Dahlia’s face fall. He decided to go sit with her himself, no matter how much crap he might get for it.

As Cam moved toward Dahlia’s table, she turned her attention from her tray toward Jace McMahon, who sat across the lunchroom. With a wistful sigh and dreamy eyes, she propped her chin in her hands, a smile curving the corners of her mouth upward. Cam stopped in his tracks.

Jace was an orderly like Cam. He was athletic, muscular, and better looking than most of the stars in Hollywood. The most popular guy at GCC, Jace was arrogant and cruel and loved by all the women anyway. Cam suspected most of the other guys really hated him, as Cam did, but they wanted to be near him anyway, hoping his charm and luck with the women would rub off on them. If nothing else, being Jace’s buddy got them girls who would do anything to get closer to Jace, even if it meant dating one of his lesser friends.

Cam and Jace had attended the same high school. At that time, they’d been best friends. Back then, no one could touch the popularity of the two tall, good-looking, enigmatic boys. Then Cam found out exactly what Jace was.

Cam had distanced himself from Jace after that, making him something of an outcast his senior year. He didn’t care. Being on his own was better than being part of Jace’s world. He’d hoped GCC would be different, even with Jace there, but work turned out to be nothing more than an extension of high school. Jace was still the star. Cam sometimes wondered why no one thought it strange that Jace, with his athletic prowess, was working at GCC to pay his way through school instead of attending a prestigious college on a fantastic scholarship. But Jace knew. Not only poor grades, but also the thing that created the rift between Cam and Jace had caused colleges to run the other way when it came to Jace McMahon.

Cam glanced over at Jace, jealousy and anger burning within his chest. Tabitha Heron, who now went by the ridiculous nickname of Tabby, had draped herself across Jace. Tabby was absolutely beautiful, the perfect counterpoint to Jace’s good looks. Until Cam’s falling out with Jace three years earlier, Tabby had been Cam’s girlfriend. Then Jace pursued her relentlessly, just to prove he could take her if he wanted. And prove it he did. Jace even talked her out of accepting an admission offer from Harvard to join him at Grave’s University. Even now, when Jace treated her with nothing but disdain and kept her dangling at his whim, Tabby refused to admit Cam was right about him. She hardly needed to work to pay her way, not with her wealthy family, and yet she’d even followed him here, to work a crappy job as a receptionist for crap pay.

They deserved one another.

And, now, the newest object of Cam’s attention was drooling over his nemesis. Dahlia didn’t have a shot with him; anyone could see that. Unless Cam managed to hook up with her—then he’d bet Jace would turn his sights on the strange, new girl. Cam would see Jace burn before he allowed him to hurt the fascinating Dahlia.

* * * * *

Dahlia stood in the freezing wind, watching as Jace McMahon climbed into his fancy, red Mustang. He turned the key, the engine growling fiercely as he peeled out of his parking spot, cutting off an old, rusty beater and nearly running over a group of interns. She knew well enough Jace was not exactly a kind, caring person, but she also knew what he could do for her. He was perfect—beautiful, graceful, popular. In other words, everything she was not.

“Hey.”

Dahlia turned to see Cam Taylor standing next to her, smiling at her. She glanced behind her to double check, but as no one else was there, she supposed he must be speaking to her.

“Hey,” she said back, wondering why someone like Cam would speak to her on purpose. Cam was every bit as good-looking as Jace. But where Jace was dark—dark hair, dark eyes, olive skin—Cam was light. His blond hair was practically white, his eyes translucent blue, his skin nearly as pale as Dahlia’s. He, too, was graceful and beautiful, and popular among many of the nurses, aides, and volunteers. But he did not have the power Jace had to transform her.

“Need a ride home?” Cam asked.

“Uh . . .” Dahlia hesitated. She didn’t really want anyone to know where she lived. The wind chose that moment to blow its icy fingers across her exposed legs. She shivered at the sensation, and Cam laughed.

“Come on. I can’t have you freeze to death on my watch.” When she still hesitated, he held his hand out toward her. “It’s just a ride, Dahlia.”

She looked at his extended hand, wondering vaguely how he knew her name. This was one of those socially awkward situations she had no idea how to handle. Should she take his hand?

“Okay,” she said, turning toward the parking lot. As she took the first step, she managed to put her foot onto one of the few spots with a disc of ice clinging to the cement, and squealed as she felt her foot slide away. She prepared for the pain that would come with the fall.

But then Cam grabbed her by the elbow, halting her descent.

“Whoa, there,” he said, steadying her. “Gotta be careful of these slippery steps.”

Humiliated, Dahlia looked up at him. “Thanks,” she mumbled.

“Yup,” Cam answered. He kept hold of her elbow all the way to the car. Once inside the vehicle, she fastened the seat belt—one of the few devices that could guarantee her safety and that she had full control over, so used always—he turned the heat on high, directing all the vents her way. She wondered idly whether Jace would have done the same if she were seated in his Mustang rather than in Cam’s Honda.

“So . . . how do you like working at GCC?” Cam asked when the silence began to stretch out uncomfortably.

“It’s the same as any other job, I guess,” Dahlia said.

Cam couldn’t argue that point. “Oh, yeah? Is that a bad thing, or good?”

Dahlia shot him a look as if to say You’re kidding, right? and Cam smiled.

“I understand,” he said,but somehow Dahlia doubted he truly did understand. She doubted that Cam, with his golden looks and infectious smile, had ever been shunned, that he had ever sat at a table only to have others leave just to avoid being seen with him, that he had ever been called doggy, beastly, or nerdy. She doubted he’d ever looked around a room and known the only people who would accept him as a friend were those who completely understood all those things.

“Turn here,” she said, directing him up Draper Avenue. He lifted his brows a little at the turn, but didn’t say anything. When they reached the end of the street, she said, “You can stop here.”

He looked out the window. With surprise in his voice, he said, “This is where you live?”

Dahlia knew how it looked. The house was the largest in the neighborhood—ostentatious, overbearing, shouting wealth at the tops of its lungs. She really wished her family knew how to blend in.

“Yeah.”

She waited for the sarcasm, the cutting remarks, but, instead, he simply said, “Nice place.”

“Um, okay . . . thanks for the ride, I guess,” she said, pulling on the door handle—to no avail.

“Oh, here, let me get that. It sticks sometimes.” He leaned across her to grab the handle, and Dahlia flattened herself against the seat. She’d never been this close to a boy she wasn’t related to . . . and definitely never this close to one who smelled so delicious. For one crazy second, she had the urge to reach up and—

“There you go,” Cam said as the door swung open and a wintery blast of air drew her attention from her fantasy.

Dahlia climbed out, then looked back. “Thanks again.”

He gave her a charming smile in answer. “See you tomorrow,” he said as she slammed the door. With a wave, he turned his car in a wide U and drove away. Dahlia watched him go, and then, with dread, turned back toward her house—or as she’d come to think of it, the “monstrous mausoleum.”


A Sucker for Happy Endings

There are some great stories that end in tragedy: Othello, A Walk to Remember, The Lovely Bones, My Sister’s Keeper, and of course the greatest tragedy of them all, Romeo & Juliet, to name a few. While I sometimes enjoy a good tragedy, I’m a complete and utter sucker for a happy ending. Life has enough sad endings.

Not to say a good dose of heartache leading to the happiness isn’t in order. I love books that delve into the dark side, that look at the downside of life that hopefully many of us never are faced with (though there are far too many that are faced with these things), that show heartache, or at least headache. Those things make the happiness a much better payoff.

I belong to a critique group, and one of our members is a man who writes speculative fiction. He doesn’t have quite the romantic ideals the other three of us do. On one of my manuscripts, he was expecting a tragic ending based on the story. He felt a bit disappointed that I had taken it back to a happy place. But for me, and for my readers, I couldn’t imagine anything but the happy ending. I feel the need, the yearning to infuse my stories with hope.

In the meantime, I’ll continue to read – and enjoy - all kinds of books, including those that come with a tragic ending. The day may come when I decide to leave a story in a dark place, but for now, for me, it’s probably always going to come up roses for my hero and heroine. Did I mention I love roses?


Judging A Book By It’s Cover . . . .

Recently I got the new cover for the second book in the True Intentions series, DEADLY INTENTIONS, which comes out 4/9/12.  The cover artist did a fantastic job of not only making the themes flow together, but also grabbing readers interest. Well done, Casey!

My cover got me thinking . . . (scary thought, I know) How many times have I potentially missed out on a really great book because I couldn’t see past the cover? Maybe it didn’t grab me or make me wonder what the book was about. Mabye it was poorly made so I assumed the book would follow suit. Whatever the reason, I didnt look past the cover to read the blurb, take a sneak peak inside, or recognize the author. I didn’t care to find out more.

Then I really starting thinking . . . Do I ever do that with people too? Do I sometimes judge someone in those first few minutes of an introduction and don’t look past their “cover”? I’d like to think I never have, but I’d be lying to myself. There have been times: whether I was in a hurry, preocupied, or got a bad first impression, and I didn’t go any further. I didn’t ask them a question to get to know them better. I technically treated them as I do a book with a uninviting cover.

So . . .  I’ve decided to give it a try. Next time I’m online looking at ebooks or at a book store, I’m gonna take a look at one book which I’m not fond of the cover. I’m going to force myself to read the blurb and take that sneak peak inside. 

 You never know what I could be missing?

 

DEADLY INTENTIONS:

Sixteen-year-old, Ava O’Brian’s may have survived her ordeal with Satan, but her troubles are far from over. They’re just beginning. Her premonition nightmares only create questions about her special ability; is she really capable of influencing good or is she truly creating something else—evil. Uncovering the truth behind her miraculous survival, and choosing between the two immortals fighting for her affection will reveal far more than she is expecting and expose her to Deadly Intentions.


Rejections

A fellow writer was asked which magazine ran her articles and stories. “Oh, I write mostly for rejections,” she joked. The inquirer responded seriously, “I don’t think I’ve read that one.”

None of us have. That’s the problem. With the increase of multi-media entertainment, and the spiralling cost of books, publishers are far less likely to gamble with new writers. The buzzword is “marketability.”

To be fair, there seem to be more new writers than ever, many victims of unemployment. A popular or prestigious magazine may only have space to publish one out of hundreds of submissions. The competition for books is even worse.

Take a look at what’s available in children’s books today. There are still incredible works of art and charm, but they are competing fiercely against the “market-driven” fluff generated by kids shows. Not only does every super hero, cutesy puppy, and valiant pony cartoon generate lunch boxes, stuffed toys, action figures, and clothes, but books as well. Many of these books have as much art, depth and originality as the cereal box.

Sadly, the scene is not much different for adults. The public’s voracious appetite for talk shows has spilled over into writing. (By the way, you’ll know they run dry when they feature TALK SHOW HOSTS WHO INTERVIEW TALK SHOW HOSTS.) Magazines run more sensational pieces than they used to, as in “Women who cheat on their husbands…and don’t feel guilty,” followed up by, “Husbands who know their wives cheat…and don’t feel angry.” Spill your guts novels are rampant, as in “The Life Story of The Girl Next Door: Alcoholic, Sexual Compulsive, Self-Mutilator and Collector of Hood Ornaments.” Many of these are written with the same slash and report style as a talk show.

Any celebrity, who is famous for any reason, will be rushed to the front of the publishing line – he or she already has a “brand” name. Add to that the proliferation of cheap self-published books, and you have a glutted market.

Still, there are editors and publishers who’ve managed to keep their standards intact. Swamped by submissions, they do not have time to personally critique a writer’s work. You may find it strange that an “emerging” writer will be happy to receive a private comment on a rejection form. The personal connection can be enough to spur a three month rewrite. There are those, though, who find it painful because they still don’t know where to head.

For example, Lisa Powell’s fictional biography of Elizabeth Tudor has received the following rejections: “This is indeed an outstanding historical and lives up to all the fine things you said about it…as I admired it, I didn’t feel we could do the right job with it in the current market.” And “You should not be at all discouraged by the fact that we will not be making an offer for the book, because this is an extremely publishable novel, and a more commercial publisher, I’m certain, will positively leap at the chance to publish it.”

Some editors try to soften the blow with humour. Here’s one I received - “Congratulations! You have been chosen to receive this beautiful hand-lettered rejection slip! We know you will be proud to add this attractive notice to your personal collection. For additional copies, send your contributions to:… Note: In the event that your next contribution is accepted for publication we cannot send you another card, and you will just have to be satisfied with money…Sorry. -The Editor.”

Thankfully, there are editors out there willing to satisfy me with a contract.

So, if you haven’t read Dawn’s End and Dawn’s End: Poisoned, there’s still time before the final book in the trilogy becomes available.


You Had Me At . . . ?

When you open a book—or Look Inside—what grabs your attention? Does the first line sell you? Maybe you read a paragraph, or a page, or maybe even a chapter. What does it take to make you want more?

Are there books you put down because you don’t read a certain point of view or tense?

I’ll read any book, if it’s good.

But what makes it so? I first judge a book by its cover—oh, yes, I do—then by its blurb. If the novel passes those two tests, I’ll read the first paragraph.

For me, a story has to have flow, but I also enjoy being sucked into a character’s mind and experiencing their problems as they do. Any point of view and tense have the capability to achieve this, but first/present novels are the ones I get into the most.

Image

There’s a lot of debate about first person/present tense novels. Why do people write this way? Why do young adults enjoy it? Why don’t they?

Frankly, I think it’s just another method of storytelling, and I believe it’s growing in popularity because there isn’t a ton of it around. First person puts us right there with the hero or heroine. Their thoughts are ours. We don’t see their outward facial expressions, so the image we project while reading is usually a self-image.

You experience everything as the main character and you have no idea if you/the mc will survive. The way your heart beats, you’re pretty sure it’ll give out well before the story is over. You add present tense to the mix, and you’ve put yourself in the middle of the action.

In Wilde’s Fire, Kate will take you on her journey through Encardia in real time. I didn’t choose this method of storytelling; it chose me. Hopefully you enjoy it!

But I’d like to hear your thoughts on your book buying process. What sells you?

Wilde’s Fire will be available from Noble Young Adult soon!


Speech Recognition Software or ‘Look, Ma! No Hands!’

Noble why a post

by Kimber and

good morning, buddies. I am writing this post using Dragon speech recognition software. It takes a lot of practice. But I think you’ll agree I have them learning.

For example, here’s the first paragraph I wrote –

my dearest love

I collapsed into bed to minutes ago, my head fall of every horrible imagination, wondering where you are and what happened. Was it an earthquake? I thought Ashton the sky there must’ve been a volcano eruption if you are flying did the ash get into your engine? But I felt the earthquake to.

here is a paragraph I wrote three days later –

Needless to say without the Internet I can’t send any e-mails we can’t Facebook message the phone doesn’t even work so I’m writing with up regular pen and paper and wondering how long paper will last. Note to self. Take inventory of the paper in the house. So I decided to write a letter to you every day I have no way to send it to you the mail truck has not come.

This post is being written completely using the software. Can you see the difference? I’m not correcting anything with my hands. I am learning to correct using voice commands, such as… Well I would tell you the commands but every time I make one the software does what I say. It doesn’t write down what I said. So I have to learn different words to say the same things to differentiate between commands and what I want my computer to write down.  In time, I will learn to surf the Internet, email, and post directly.  For this post, I cut-and-pasted.

my Sweet adult contemporary Short Story

I’m writing a short story as a practice. I don’t know how well it’ll turn out. I may seek publication for it like I did for drive-by Valentine. Or I might just post it as a free story on my main site. It’s tentatively titled the grizzly bear Lodge, an Alaskan apocalyptic tale.

Once I feel comfortable, I will resume a writing the last book in the Ophelia Dawson Chronicles, blood dark and sweet. And then I can joyfully get on with the business of writing all my stories. I have so many in my imagination that it drives me crazy to not be able to use my hands to share them with you. However thanks to modern technology I do have the hope of sharing them with you using my voice.

If only JRR Tolkien had the software!


My Biggest Regret?!?!?

Recently I received an group email from a good friend. Inside the email read:

Ware is an Australian nurse who spent several years working in palliative care, caring for patients in the last 12 weeks of their lives. She recorded their dying epiphanies in a blog called Inspiration and Chai, which gathered so much attention that she put her observations into a book called The Top Five Regrets of the Dying.  “When questioned about any regrets they had or anything they would do differently,” she says, “common themes surfaced again and again.”

Here are the top five regrets of the dying, as witnessed by Ware:

1. I wish I’d had the courage to live a life true to myself, not the life others expected of me.

2. I wish I hadn’t worked so hard.

3. I wish I’d had the courage to express my feelings.

4. I wish I had stayed in touch with my friends.

5. I wish I had let myself be happier.

My friend ended the email with the question:

What’s your greatest regret so far, and what will you set out to achieve or change before you die?

The more I thought about that question, the more a thousand memories flooded my mind. Regrets . . . . Did I have things in my past I would change if I could?

Let’s see . . . . Where should I begin? 

 I should have gone farther away for college instead of staying local. I should not have married my high school sweetheart when I was so young (21)–only to get divorced two years later. I should have had enough faith in myself to go follow my heart and go to medical school instead of settling on a nursing career I wasn’t as passionate about.  Should I continue????

But the more I thought about all my “ regrets”, the more I realized even though they may not be the same decision I’d make now (being soooo much wiser), they’re still not regrets. Each decision was a lesson that has molded me into the person I am today. Without those experiences, I wouldn’t be “me”.

And I actually like who I am :)

So, If I had the chance to go back in time and change my past, I wouldn’t change a thing. I’d still go to a local college and so on . . . .

I’m pretty certain I’ll make many more mistakes in my future and will look back and wonder why I didn’t do things differently. But I will not look at them as regrets. I will use those experiences to make sure that I: have the courage to live a life true to myself–not the life others expected of me, to remember not to always work so hard, to have the courage to express my feelings, to stay in touch with my friends, and to always let myself be happy.

Only then will I be able to achieve everything I am capable of :)

In my first series, TRUE INTENTIONS, the main character Ava O’Brian is a teenage girl with typical teenage dreams. But Ava has a unique power with the potential to change the world. This power doesn’t come without consequence. One wrong move and Satan will gain control of her ability. 

Can a sixteen-year-old girl outsmart the most evil entity on earth? 

 

Romance in YA Stories

SAEWOD TICE

He Loves Me. He Loves Me Not.

Today we are tackling the question, Why is romance so important in YA Story Telling?

The simple explanation is that romance is popular, often leads to the happily ever after we seek, and it sells.  I mean, let’s be honest here, if it didn’t sell there would probably be less of it around.

Now, let’s take a deeper look at romance in young adult books.  First, we need to start with teenagers and the angst filled world they live in.  At 34, I can still distinctly remember – vividly – the number of girls crying in a bathroom over lost boyfriends, fights with friends, or mean words from strange schoolmates. I’m sure most of us can even count ourselves among the crying girls/boys.  That alone tells you just how influential and impressionable our teen/young adult years are.

As a young adult you are changing every other day, trying to discover yourself.  During this time of discovery you learn about relationships – friendship, crushes, love, and the difference between loving and being in love.  It’s a part of coming of age.  So, when you pick up a young adult book, you are going to get elements of relationships – relationships that include romantic feelings.

In my Y/A book, Amongst the Ruins, my heroine grows with every chapter – physically and emotionally.  Within the remains of post-apocalyptic Earth, Shilo is sheltered by her family, at least as much as she can be in the regressed society of 2220.  She has to come into her own as well as experience her first desires for the opposite sex, learning to accept being desired, loving, and heartbreak.  All things most of us experienced growing up and even still experience.

From the moment our hormones begin raging, romance becomes part of our lives.  And whether it’s the main plot device or a side mention, the first kiss, hand holding, cuddling, I love yous, and other intimate acts, these are a part of teenage life and naturally find a place in just about every Y/A Book.

Saewod Tice author of Amongst the Ruins

KRYSTAL WADE

In ev’ry job that must be done, there is an element of fun.

Mary Poppins is a fantastic movie from oh-so-long-ago. After its release, kids and adults alike could be found humming the magical nanny’s catchy little tunes.

And I’m no different.

Except I’m the type to change lyrics. So my version would go something like this: For your book to have a chance, add an element of romance.

Stop groaning!

I want you to take a moment and search your memory, go through every story you’ve ever read, every movie you’ve ever watched, and ask yourself if there was an element of romance. I bet you’ll be surprised.

I was.

Take the current hot trend, The Hunger Games, for instance. When we first meet Katniss she immerses us in her dystopian existence, and it’s not exactly fun, then she introduces us to Gale. He’s strong, distant but always there for her, supportive, and secretly he’s totally in love with her. This story is written in first person, and Katniss is a bit naïve when it comes to her relationship status. She’s more focused on what to put on the table for her little sister and her melancholy mom. When Prim’s name is pulled from the hat and Katniss volunteers to take her sibling’s place in the fight-to-the-death Hunger Games, she has no idea she’ll be up against someone else who’s been in love with her.

Now this trilogy’s main plot is to overcome the evil leadership their country is faced with, but it’s the love so well-woven into the story that drives the reader through the book at a pace faster than NASCAR’s. And by the end of book three all we care about is whether Katniss will ever find love or be happy again.

That’s one book, but I can think of hundreds of others. The Percy Jackson series had an element of romance between Percy and Annabeth. Harry Potter even had a girlfriend.

The greatest of all human emotions is what continues our existence in this world. And it’s what drives Katriona to fight for Encardia in my book Wilde’s Fire.

But I can guarantee you Mary Poppins won’t be singing any happy tunes in my made up world

Wilde’s Fire by Krystal Wade, coming to Noble Young Adult soon.


New Cover Art Alert

Check out these awesome new covers for upcoming releases.

Cover Artist C.H Scarlett

BLURB

Eighteen-year-old Eric Donnelly moved to a small town in Pennsylvania, to live with his uncle, Dan, while his parents finalize their divorce. Dan has recently purchased an old house which sits atop a three-mile hill overlooking the town of Riverwood; a house which is host to the decades-old presence of Victor Devlin, a homicidal ambulance driver responsible for a series of brutal murders years before. Eric soon finds himself alone, as the spirit of the ambulance driver begins to inhabit his uncle’s body, and each night Devlin’s ambulance appears in the driveway, eerily glowing, calling to Eric.

Cover Artist Ken Lillie-Paetz

REVIEWS

“(McCarty) is given full rein, and off he goes on a bizarre trip of the imagination, all stops out, no limits, hell-for-leather” – William F. Nolan, author of Logan’s Run
  “Michael McCarty is the biggest kid I know” – Joyce Godwin Grubbs, author of  Monday Night Flight Club and The Strong Side Of The Tracks
 
“Get out of my head, Michael McCarty wrote a book about my high school experience,” Rusty Fischer author of the YA books Zombies Don’t Cry and Vamplayers

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